As if you’re being drawn into the vastness of space. The opening of Also sprach Zarathustra by Richard Strauss grabs everyone by the throat. Rolling timpani, swelling brass, and an awe-inspiring organ chord command your attention. Film lovers will immediately recognize the ominous sounds from classic movies like 2001: A Space Odyssey. Strauss based his symphonic poem Also sprach Zarathustra on the fiery imagery of philosopher Friedrich Nietzsche. In Nietzsche’s book of the same name, the Iranian prophet Zarathustra, also known as Zoroaster, embarks on a spiritual odyssey that brings together all human emotions and experiences. Strauss saw Zoroaster as a romantic hero, striving for self-realization. His symphonic poem, divided into nine sections, captures both the cosmic and worldly aspirations of this journey. With heroic orchestral sounds and deeply romantic landscapes, Strauss paints a musical picture of humanity’s spiritual quest. This symphonic tour de force is rarely performed in concert halls, but chief conductor Duncan Ward and Philzuid are taking on the challenge.
Alongside Strauss’ visionary masterpiece, Philzuid presents a symphonic poem by Sergei Rachmaninoff. For his haunting The Isle of the Dead, the Russian Romantic found inspiration in Arnold Böcklin’s eerie painting of the same name. Rachmaninoff’s imaginative music brings to life the mythical journey across the River Styx to the realm of the dead.
Philzuid also treats audiences to a brand-new viola concerto by Mark Simpson, Hold Your Heart in Your Teeth. Commissioned in part by Philzuid, this work showcases the British composer’s talent for orchestral music of great poetic intensity. Simpson previously wrote a cello concerto for Leonard Elschenbroich and a violin concerto for Nicola Benedetti. Now, he has completed this new concerto specifically for the young viola virtuoso Timothy Ridout. The title Hold Your Heart in Your Teeth refers to an old Romanian proverb that urges one to face their fears head-on. For Simpson, this bold phrase serves as inspiration for a vivid and expressive viola concerto. In its three movements, listeners are swept through a whirlwind of emotions.
